About Parachutist: “When PCA (USPA’s predecessor) first published the magazine in 1957, it was not much more than a newsletter, but it did serve the very important purpose of keeping the organization’s members informed about news in the sport. In the mid-1960s, the magazine first began printing its cover in color, foreshadowing the glossy magazine you see today. Through the 1970s and ’80s, Parachutist’s circulation continued to grow as membership and advertising revenues increased. The magazine began to showcase stunning color photography inside and out. It not only kept members up-to-date on industry news, it served as a forum for opinion, disseminated safety information, covered the sport’s history, offered general-interest skydiving articles and listed events, drop zones and membership data for reference purposes. With the rise of internet communications in the 1990s and through the 2000s, Parachutist shifted its focus from news and reference to concentrate more on education, entertainment and safety features. That change in focus and the advent of technology is what you see today with this website. This is our effort to expand the reach that Parachutist has as both a safety and instructional tool.”
After the filming of vex 13 000 – skydive art project- https://youtu.be/sQFwrJ8M8jE , I wanted to revisit the concept of painting in freefall. This time though, the focus was on capturing the destructive passage of time. Documenting how it slowly erased the work and images that I created, until they ultimately disappeared. I wanted these designs to also have a connection to time, so I drew up these 3 images:
Rabbit Skull : representing the past – memory of a childhood pet.
Cicada Eyes : representing the present – changing & evolving visions.
Balloon Skull : representing the future – inflated fears & the inevitable. These designs were screen printed onto fabric, hand painted, and sewed into steamers that would inflate in terminal velocity. They were then attached to 30lbs jugs that I held onto while skydiving, which slowly released paint onto the images. The paint continued to spill out with each second of freefall, until it devoured all 13 ft of fabric, leaving nothing left. My white gear also got covered. During the last jump the paint jug imploded and my right arm was covered in black paint.
I created unique wood pieces of the 3 images, along with hand printed (silk screened) & painted, limited edition prints of /30, on paper of each design.
These prints are available for purchase through my online store @
If you are interested in purchasing the unique 48’’ x 36’’ wood panel pieces please email me @ http://www.vexedart.com/contact.html
Special thanks to the following skydivers, videographers and photographers for helping to capture this project.
Sara & Steve Curtis : – http://www.azarsenal.com
Nik Daniel : – https://blog.niklasdaniel.com
Jason Peters : – http://www.aboveallphotography.com
Thanks also to Cosmoprod for composing the original music.
Artist & Editor Vedi Djokich @ http://www.vexedart.com/home1.html
16 pages of behind the scenes content from this art series @ http://www.vexedart.com/Time_art_seri…
Instagram : https://www.instagram.com/vexedart_/
Originally posted by Performance Designs on May 3rd, 2016
“For the one year anniversary of launching the Valkyrie, we wanted to create a continuation of the original Valkyrie Ad (see below) first released early last year. Sticking with the same theme, we aimed to showcase a strong female figure as the personification of the Valkyrie. Brianne Thompson of AXIS Flight School was chosen. As a strong, confident, talented woman in the sport, she was a natural choice for the ad.
The photo was shot at Skydive Arizona with the help of Nik Daniel (AXIS Flight School), Steve Curtis (Arizona Arsenal), and photographer Justin Carmody. In case you were wondering, the fire is 100% real and no Valkyrie canopies were harmed in the making. We only had three chances to get the winning shot due to weather and lighting conditions, but after some rainy days, tense moments, and hot swoops (literally!), we finally captured the perfect shot seen here.”